Between sense and nonsense, Pierre Clément pursues his investigation into the origins of the image, its meaning, and its makeup.
Everett Kane and I got inspired to revisit the “Tree-Man” in the “Hell” panel of Hieronymus Bosch’s “Garden of Earthly Delights,” whom some people claim is a self-portrait.
Animation Attempts is a series of short-loops animations that point out the order in what is seemingly random.
“Wrapped Terracotta neck-amphora (storage jar)” (2014) is a sculpture that is neither an object nor an image.
In “Search, Compile, Publish” I identify some of the tactics used by artists who make books and other printout matter in the post-digital print space: grabbing, scraping, hunting, and performing.
Starting today, Hyperallergic will be publishing an online catalogue for Hypersalon, a weeklong series of salon-style exhibitions, artist talks, and conversations on the conditions of networked culture in contemporary art.
During the annual Miami art fair week, the art world descends on the city in the sun, and this year we’re trying something new. Hypersalon is a weeklong series of salon-style exhibitions, daily artist talks, and hosted conversations examining networked culture in contemporary art.