With RATS, Ellis explores the twisted realities of American life.
Tomás Esson’s Whirling Gyroscopes of Paint
In The GOAT, tongues, butts, and spillage all combine, expressing a delightful reverence of the corporeal.
When a Body Is Reduced to Material for an Artwork
MIAMI — Laura Lima’s The Inverse isn’t experienced so much as it’s encountered: the massive swath of rope, deep blue and thickly knotted, traverses the entirety of the Institute of Contemporary Art (ICA) Miami’s Atrium Gallery, looping itself over beams and columns and scraping the floor.