Much of the artworks for sale emanated a darkly satirical message this past weekend.
In 1969, the artist committed herself to San Diego’s Mercy Hospital. While there, she made work grappling with her depression.
Bouts of internal madness and discomfort have no one specific cure. But drawing did create an outlet and conversational platform for the otherwise silent Applebroog.
MILAN — The most startling pairing in The Great Mother, an exhibition that tracks the iconography of motherhood in art and popular culture from 1900 to 2015, is a sculptural stand-off between Sarah Lucas and Thomas Schütte.
With recent statistics showing that only 31% of the solo exhibitions at NYC galleries are devoted to women, it comes as a pleasant surprise that over a two-month period this spring there are several exhibitions simultaneously showcasing the work of second-generation feminist artists.