Jenkins’s new short film, the centerpiece of a MoMI exhibit on The Underground Railroad, uses his signature techniques to confront the viewer.
In video ergo sum, the Bronx Museum of the Arts presents decades of work from the renowned Video artist
Richard Mosse’s video installation Incoming gives migrants anonymity while emphasizing their humanity.
Unhampered by false modesty, the timeline for Matt Freedman’s installation, The Golem of Ridgewood reaches all the way back to “Eden—6000 BCE,” where “G-d fashions Adam from the dust of the ground, and animates him.” That’s certainly one way to begin at the beginning, as the King of Hearts gravely advised Alice.
In The Golem: How He Came Into the World (Der Golem, wie er in die Welt kam), a German silent film from 1920, a rabbi molds the eponymous humanoid out of clay and animates it through an amulet containing a scrap of parchment written with a magic word.
Like the Memorial Day holiday weekend with which it bookends the summer, Labor Day is an opportunity for hard-working Americans to kick back, pop open a couple of beers and reflect upon what makes the good ol’ U. S. of A. so great. Which is why the opening of the new installation of Edward Kienholz’s disturbing fever dream “Five Car Stud” at LACMA this Sunday couldn’t have come at a better (or more ironic) time.
This week, hundreds of artists from all over the world will begin assembling one of the largest and most dazzling group art shows in the United States, or anywhere. Approximately 50,000 people will view the show during its week-long run, making it proportionately even more popular attendance-wise than the recent Alexander McQueen hullabaloo at the Met. So why don’t you know more about it? And why aren’t you there?
Welcome to New York City’s newest treatment center. You pay fifteen dollars to enter a desolate concrete basement filled with men and women in lab coats. They hand you pillows to sit on and advise you to close your eyes and visualize your problems, to later be treated by an assortment of self-improvement exercises. Mexican artist Pedro Reyes is the Gestalt and Marxist-influenced mastermind behind this mental ward, and he’s here to solve all your city-induced psychological stress.