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From ASCII sunsets to screen-flattened foliage, Artist Laurel Schwulst makes parks for the internet. In a temporary exhibition called Proposals For Future Parks shown on internet-based art space bubblebyte.org, the artist uses different media approaches, both online and off, to explore the abstract
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Count on Japanese software developers to bring us something so delightfully weird yet totally useful. Pose Maniacs is a website that serves as your very own personal figure drawing model, set to whatever pose you like for however long it takes. The site is even downloadable as an iPhone app.
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Your day in poetically impossible tasks: New York-based illustrator James Gulliver Hancock pulls a Jason Polan in attempting to draw every building in our fair city, renderings townhouses and skyscrapers alike in day-glo colors and goofy, meandering lines equal parts charming and exact.
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In another giant leap for art online, Google has released Art Project, a collaboration with a group of 17 international art museums, including New York's own Metropolitan and Museum of Modern Art, to put their collections online. But this isn't just a rehash of some online slideshow. Museums partici
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We've all wished we could break into an art collector's house at times, just to take a look at the wealth of objects out of the public eye. Aside from being awesome aggregations of unique things, collections also communicate something about a person, their aesthetic tastes and their own preferences.
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If you didn’t catch the project’s announcement Tuesday on ArtFagCity, Ryan Trecartin (video artist extraordinaire, Youtube star) and David Karp (founder of Tumblr) have launched riverofthe.net, a crowd-sourced video project that strikes a balance between social media site, contemporary art piece, an
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The BP Deepwater oil spill disaster has sparked a tremendous amount of creative outrage, some of which we’ve been exploring on Hyperallergic LABS [http://hyperallergic.tumblr.com/post/721831415/this-week-hyperallergic-intern-janelle-grace-aka] all week. In addition to various protests and performanc
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Personal computing may have begun in the 1980s but the history of computer art started much earlier during a period when only a few visionaries sensed the impact computers were going to have on our lives. The Slovakia-based Translab has posted a good online archive of early computer art from names t
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Recently on Hyperallergic, An Xiao's “Cover Art, or Vito Acconci Gets a Follow Back,” made the case for artists who choose to directly reference or re-stage existing artworks. She draws a comparison between derivative works and cover songs. This may be an apt comparison, but she glosses over an impo
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An Xiao organized a 40th Anniversary tribute to Vito Acconci's "Following Piece" (1969) for @Platea, the social media art collective she performs with. She likes to call what she did a form of "cover art" and she explains why.
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In his latest edition of Hypermedia, artist Artie Vierkant explores ideas of surveillance and sousveillance in the work of artists Jill Magid, Steve Mann, Josh On, Ryan McKinley, and Trevor Paglen.
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Hypermedia: Critical Issues in Contemporary Media Art is a column written by artist Artie Vierkant for Hyperallergic. Each article discusses an existing or emerging theme in practices at the intersection of electronic media and the arts, drawing from the contemporary and the historic, the pervasive