Through “some kind of emergent statistical accident,” an AI image generator birthed a terrifying image of a woman. And she continues to haunt us, again and again.
Microsoft has finally retired the world’s most hated browser after 27 years.
Jane Schoenbrun talks to Hyperallergic about We’re All Going to the World’s Fair and making the internet cinematic.
We rounded up the best art-related questions on the iconic platform, which is shutting down permanently next month.
The web series Preserving Worlds asks us to consider the value of past-their-prime sites like Second Life.
Your home can now be marked by the blue checkmark motif universally associated with digital VIP status, sculpted by artist Danielle Baskin.
With institutions shuttered around the world during the pandemic, a new cultural phenomenon has emerged: pet museums.
An exhibition in London gathers 64 artifacts of the early web, from the first site that allowed users to order pizza online to one of the first animated GIFs to go viral.
When viewing promotional videos of data centers from corporations like Google and Microsoft, artist Matt Parker always felt something was missing: the sound of this internet infrastructure.
An ambitious exhibition at the International Center of Photography examines the relationship between new media and the offline world.
LA’s Cryptoparty Crew offers a brief guide to digital anonymity — which, more than simply protecting your identity, can be a means of resistance.
Recently, I had to explain to a friend without internet access who Werner Herzog is.