BERKELEY, California — As more of us can afford the tools historically only available to publishing houses, we have increasingly adopted them to share our stories and thoughts online. The invention of the printing press in the mid-1400s cheapened and quickened the arduous process of writing texts by hand. The cheaper the publishing, the cheaper the books, making information more accessible and creating an economic environment where more people could become publishers, creating an increasingly diverse, cheap, and accessible flow of information to an increasingly wider audience. Before the printing press books were rare and expensive, few possessed them and few could read them. The internet has expanded what the printing press started at an unprecedented degree.
Dakota Rose. (image from Galleryshooter.com) The internet was once heralded as an egalitarian space holding all of the world’s knowledge just a few clicks away. New identities could form and gain power and respect online in a way that wasn’t possible in our white-, Western-, and male-dominated physical world. Donna Haraway‘s “Cyborg Manifesto” claimed that […]
Pandora doesn’t work here in Iceland. Nor does Netflix. The country doesn’t allow either, so my friends and I have all been swapping music and movies instead of streaming them. My friend who gave me the songs I am listening to right now got them through the Bittorrent hub Piratebay. I’m listening to London music from a Philly girl while living in a farmhouse in southern Iceland, all because the internet is slightly less global than I thought. It’s a strange world.
As more of our identities are placed online, what problems may potentially arise? Authorship and branding have never been harder to control.
Occupy.here uses a wifi router to create a network for discussion for only a locale audience. By bypassing the traditional internet, Phiffer is working to make a free, open, unregulated and community based platform for exchange.
I love the internet. It’s jumbled and weird and mind-numbingly vast. It’s also the source of my employment. (Thanks, internet!) But I’m also worried about the internet — specifically the internet and art.
Some time early last week, I began to notice the “What People Think I Do/What I Really Do” graphics on my Facebook news feed. The first time I clicked on one, I had a quick laugh — I thought it was witty. A few days later it seemed like my news feed had been converted into a focused, peer-curated online gallery devoted to the latest, most clever “What People Think I Do/What I Really Do” graphics.
Then my Mom started posting them too. The speed at which this new internet sensation spread grabbed my attention. A quick Google search led me to www.knowyourmeme.com. The website credited artist Garnet Hertz with starting the meme, so I emailed Hertz to see if I could get the scoop on his original graphic. Hertz was kind enough to give an interview about the history of the graphic he first posted on February 9th and the subsequent birth of a meme.
High fashion used to be the terrain of the elite and fashion shows once welcomed only editors, buyers and VIPs but the internet has changed all that.
BEIJING — I moved to China almost a year ago now, into a country where I knew no one and where even the internet was foreign. I pulled away from my main social circle geographically, but did what I could do stay connected via the internet and phone.
And yet, just as I turned to the internet for social connection, I also realized it was increasingly difficult to rely on my usual circles. Timezones, the Great Firewall and the weak internet connection in my neighborhood all made me realize that the utopian ideal of global connection was far from being achieved.
Just a few days after I wrote posts on the state of cosplay in China and the street art-like responses to the Wenzhou train collision on Sina Weibo, I found this image circulating around Weibo. What’s striking about it is how quickly it leapt from the online world into the offline world. I’m used to to thinking of Internet memes, political or not, as restricted to online space.
This Friday, 70+ New York startups and tech companies — including us! — are opening their doors so you can see where the magic happens. Organized by Harvest, this event is an official partner of Internet Week New York 2011.
Online exhibition space The State has a new show up: Jacob Broms Engblom’s “wShare” is a fetishization of those internet moments when we’re just caught waiting.