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Inside the Met Museum’s Historic Raphael Exhibition
“Asking for Raphael loans is like asking for the firstborn heir of the royal family,” Carmen C. Bambach, curator of the first comprehensive show of the master in the US, told Hyperallergic.
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“Asking for Raphael loans is like asking for the firstborn heir of the royal family,” Carmen C. Bambach, curator of the first comprehensive show of the master in the US, told Hyperallergic.
Feature
“I was nine years old, and I felt like I lost that childhood,” the Whitney Biennial artist told Hyperallergic, reflecting on the US’s war in Iraq, the disappearance of his father, and the art he makes to process.
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We spoke to the fashion collective, who will be in the Whitney Biennial and shows at Pioneer Works and Amant, about collectivity and taking chances.
Interview
What can an early painting tell us about an Old Master? We asked the Morgan Library’s curator to find out.
Interview
I sat down with curator eunice bélidor and arts administrator Dejha Carrington to discuss what have become reductive ideas about the role of art museums, my own included.
Community
“You can’t think your way through a painting,” the artist said during our conversation at his home studio in the Catskills. “You can only act, mark, or feel your way through.”
Interview
The 83-year-old artist has dubbed her painterly detonations of color, which physically undulate from their surfaces, as “structural abstract expressionism.”
Community
Our series on painters and their practices is back, this time for an interview with the New York-based artist who creates “paintings in felt” to explore her Irish and Indian family history.
Interview
“I think sometimes of that black and white historic photograph of 100 people giving a Nazi salute, except one person,” the artist told Hyperallergic. “I think that’s me.”
Interview
The Diné weaver and teacher reimagines pre-trading-post-era weaving techniques, continually coloring his practice with new aesthetic and material horizons.
Interview
The co-directors of “It’s Just a Fucking Opening,” a new short film, spoke to Hyperallergic about toxic sociality and the line between criticism and gossip in the art world.
Interview
“We don’t have enough examples of winning, so it’s really important to taste the sweetness when we do,” the artist and activist told Hyperallergic.