Interview
On the heels of the film's release, the director spoke with Hyperallergic's Juan Barquin about navigating the gaps inherent to emigrating, adapting her personal narrative for both film and radio, and how life itself can be just as performative as the characters we watch on the big screen.
Interview
Acclaimed writer Ed Brubaker talks to Hyperallergic about his new book Bad Weekend, the historical poor treatment of comics creators, and the differences between writing for comics and film.
Interview
The artist says he wants the 107-feet-long mural at SFMOMA to get people to interact with one another.
Interview
A conversation with Maia Chao and Josephine Devanbu, the founders of Look at Art. Get Paid., a program that pays people who wouldn’t otherwise visit art museums to visit one as guest critics of the art and the institution.
Interview
The RISD Museum has held this Benin bronze head in its collection for 80 years. "No one would have given it up unless under duress," the curators say. But tracing its provenance and repatriating it is no simple matter.
Interview
An interview with the Jorge Iván Cevallos (Crazy Horse), the founder, general director, and producer of the Intercontinental Biennale of the Indigenous Arts.
Interview
Director Jeanie Finlay talks about her new documentary Seahorse, in which she follows trans man Freddy McConnell through his pregnancy.
Interview
"All I felt was fear of dying," the filmmaker says of the '80s. Here he looks back on his iconic feature Swoon, working with Gran Fury and ACT UP, and his definition of activism in the Trump years.
Interview
Nick Hayes and Naomi Burton, founders of the Detroit-based leftist media company Means Media, talk about their ambitions for Means TV, a worker-owned, completely viewer-supported streaming platform.
Interview
Eagles has disseminated WWII propaganda posters printed in the blood of a transgender soldier to protest blood discrimination and Trump's attacks on the LGBTQ community.
Interview
Ruben Natal-San Miguel’s photographs transform a series of traumatic events into empathetic energy. His new book, Harlem, takes that human connection further.
Interview
In the first solo exhibition by a woman artist representing Taiwan at the Venice Biennale, Cheang questions the legal and visual regimes that have shaped sexual and gender norms over time.