Interview
Leandro Erlich Plays on the Cusp of Reality
The Argentine conceptual artist reminds us that imagination can transform reality into art.
Interview
The Argentine conceptual artist reminds us that imagination can transform reality into art.
Interview
"There is an emotional narrative to the way that the paintings are touched," the artist tells us. "If my body touches the surface aggressively or lightly, smearing or sanding, it creates different emotional notes, different speeds, and different focal points.
Interview
Director Mads Brügger talks to Hyperallergic about his new documentary Cold Case Hammarskjöld.
Interview
Hyperallergic talks to the directors of the documentary Bludgeon about portraying a subculture without making fun of it.
Interview
In an in-depth interview translated from Spanish, artist and scholar Coco Fusco discusses the 2019 Havana Biennial and state of the Cuban art world with poet and cultural commentator Katherine Bisquet.
Interview
Pio Abad’s exhibition, Kiss the Hand You Cannot Bite offers sculptures that monumentalize the political consequences of Ferdinand Marcos’s dictatorship in the Philippines.
Interview
Director Catherine Hébert talks to Hyperallergic about her new documentary Ziva Postec and the mystique of film editing.
Interview
On the heels of the film's release, the director spoke with Hyperallergic's Juan Barquin about navigating the gaps inherent to emigrating, adapting her personal narrative for both film and radio, and how life itself can be just as performative as the characters we watch on the big screen.
Interview
Acclaimed writer Ed Brubaker talks to Hyperallergic about his new book Bad Weekend, the historical poor treatment of comics creators, and the differences between writing for comics and film.
Interview
The artist says he wants the 107-feet-long mural at SFMOMA to get people to interact with one another.
Interview
A conversation with Maia Chao and Josephine Devanbu, the founders of Look at Art. Get Paid., a program that pays people who wouldn’t otherwise visit art museums to visit one as guest critics of the art and the institution.
Interview
The RISD Museum has held this Benin bronze head in its collection for 80 years. "No one would have given it up unless under duress," the curators say. But tracing its provenance and repatriating it is no simple matter.