Interview
“I Couldn’t Avoid the '60s”: Diane Kurys on Her Early Filmmaking in France
From capturing teenage innocence to 1968, Kurys's slice-of-life movies are sparkling and big-hearted, but not without a caustic side.
Interview
From capturing teenage innocence to 1968, Kurys's slice-of-life movies are sparkling and big-hearted, but not without a caustic side.
Interview
Matthew Landrus believes the painting, which Louvre Abu Dhabi bought at auction for $450.3 million in 2017, better resembles the work of Bernardino Luini, an assistant in Da Vinci's studio.
Interview
Julie Torres was a Brooklyn artist, but then one day she and her partner, artist Ellen Letcher, decided to leave it all and head upstate.
Interview
A new essay suggests that the patas monkey and its ecological relationship with the whistling thorn acacia tree inspired Dr. Seuss’s famous environmental children’s book.
Interview
Now working at New York University, Glenn Wharton is responsible for the comprehensive David Wojnarowicz Knowledge Base. Joan Jonas is next.
Interview
Meiselas, whose documentary photography is wide ranging, says the one thing that ties her work together is her "relationships with subjects over time."
Interview
We spoke with designer Matt Bonner who "birthed" Trump Baby about his grand political aspirations for his newborn, gassy blimp.
Interview
From images of funerals to portraits of women who underwent forced sterilization, Daisy Patton's works allow "the person to come back from death for a moment."
Interview
I caught up with Simchowitz while he rode around in his gray Porsche S.U.V., crossing errands off his list in Miracle Mile.
Interview
“I look at where things accumulate, where people leave things. Every house has a corner like that.”
Interview
Jane Fortune once fell in love with the Renaissance artist Plautilla Nelli at a Florence book fair. She's since devoted her life to uncovering and restoring the great works of hitherto unknown women painters of the last six centuries.
Interview
An exhibition in Tel Aviv is reputedly using works by leading Arab artists without their permission, and the curators say they're doing so deliberately to provoke a conversation around the topic of boycott.