Interview
Beer with a Painter: Peter Acheson
Acheson does not care about trading niceties or being ingratiating. He would rather propose and debate philosophical ideas.
Interview
Acheson does not care about trading niceties or being ingratiating. He would rather propose and debate philosophical ideas.
Interview
In his works, which are all performative to varying degrees, Mentrup tests our psychological limits.
Interview
Keltie Ferris discusses her exhibition M\A\R\C\H at Mitchell-Innes & Nash, for which she covered herself in oil and pigment and lay on top of large sheets of paper.
Interview
Three writers consider the controversy surrounding Dana Schutz’s painting of Emmett Till and the Whitney Museum’s public response to it.
Interview
Zagajewski consistently writes with lightness, wit, and a dry sense of irony that never shades into cynicism or self-satisfaction.
Interview
Reading these and the other poems that make up Out of Print what struck me was less the ostensive morbidity of Poirier’s images than the searing honesty underlying them.
Interview
Zhuang Wubin provides a solid framework for critically exploring the region's varied histories and notable practitioners of an oft-unsung medium.
Interview
Jamie Stewart, the frontman and only continuous member of Xiu Xiu, discusses the band's refusal to fall prey to nostalgia or resort to deliberate button-pushing.
Interview
The long-reigning bad boy of German painting has consistently poked and prodded at whatever preciousness we associate with the medium.
Interview
Curator Peter Ernst Coolen discusses his plans for a street art museum in a former shipbuilding warehouse in north Amsterdam.
Interview
In an interview with Genesis Breyer P-Orridge, s/he attempts to define intersectionality and its tenuous position in the art world.
Interview
"I was in a coven for two years in the ‘90s. Well, everybody was in a coven in the ‘90s."