Interview
Berlinde De Bruyckere's Beloved Corpses
Berlinde De Bruyckere’s work is often unsettling.
Interview
Berlinde De Bruyckere’s work is often unsettling.
Interview
"All of my past is in me. And whatever I do is determined and tinted by it. But there are also things in me that were inherited or given to me by angels, which are completely out of my control."
Interview
“I’m just getting started,” Sam Gilliam says with a playful smile as he watches me take in his Washington, D.C. studio.
Interview
Donald Trump doesn’t like to appear sketchy.
Interview
Currently on view at the Museum of Chinese in America, SubUrbanisms: Casino Urbanization, Chinatowns, and the Contested American Landscape, is a fascinating look at the evolution of the American suburbs beyond the archetype of the Anglo-Saxon, nuclear, single family and binary notions of home.
Interview
Kaegan Sparks is the curator of the exhibition The Infernal Dream of Mutt and Jeff by artist Zoe Beloff at Momenta Art, on view through March 20th with a special event on Friday, March 18th, at 7pm with Amy Herzog and the artist.
Interview
Naomi Safran-Hon has — by her own admission — terrible taste in music, which explains how she became a regular listener of Israel’s trashiest radio station, Galgalatz.
Interview
The Center for PostNatural History’s mission is to collect, document, and study living organisms that have been intentionally altered by people.
Interview
When Carrie Moyer and I decided to have a conversation, her recent paintings were already at DC Moore Gallery, where her solo exhibition — now on view — was soon to open. We met there after hours, and over beer and chips, and talked among the works leaning against the walls.
Interview
Morehshin Allahyari and Daniel Rourke’s expansive project #Additivism is a call for the radical rethinking of new technologies like 3D printing, the plastification of the world, and the position of humans within it.
Interview
DETROIT — Michigan kicked off 2016 with all kinds of breaking litigation news.
Interview
“I love it here, but this isn’t my true home,” Gregory Amenoff says, looking out the window of his studio in Ulster County, New York. “Too green,” he declares.