Interview
Making Art from the Remnants of Everyday Activities
MEXICO CITY — Architect-turned-conceptual artist Gabriel de la Mora's work is cold and formal to the point of appearing scientific, yet it is layered with history.
Interview
MEXICO CITY — Architect-turned-conceptual artist Gabriel de la Mora's work is cold and formal to the point of appearing scientific, yet it is layered with history.
Interview
Lamar’s performances evoke a haunted, transcendent act of awakened consciousness and composed virtuosity that b(l)end the conventions of goth rock and European classical music, opera and the avant-garde, and spirituals and free jazz, yielding something that is singularly his own.
Interview
Nancy Nowacek has a dream: she wants to build a pedestrian bridge between Brooklyn and Governors Island.
Interview
Walking through the green door into June Leaf’s old-school New York studio — a street-level space downtown — is a bit like entering a Willy Wonka world.
Interview
SHANGHAI — When Yan Cong started self-publishing comics in the mid-2000s, his work ignored the conventions of the manga-influenced Chinese comics industry and looked instead like characters from children’s cartoons had wandered into an unexpectedly adult world.
Interview
Aloof, gay waifs appear as persistently in Hernan Bas’s paintings as saints in a cathedral.
Interview
Barkley L. Hendricks is well known for creating life-size oil paintings of mostly black American subjects from northeastern cities, but his practice involves much more than that.
Interview
Last month, BP announced that it will end its 26-year-long sponsorship of Tate.
Interview
TORONTO — The Rebel Zone provides insight into a scene that set the stage for a whole generation of artists, ultimately leading to one of the city’s earliest examples of gentrification.
Interview
Berlinde De Bruyckere’s work is often unsettling.
Interview
"All of my past is in me. And whatever I do is determined and tinted by it. But there are also things in me that were inherited or given to me by angels, which are completely out of my control."
Interview
“I’m just getting started,” Sam Gilliam says with a playful smile as he watches me take in his Washington, D.C. studio.