Interview
Beer with a Painter: Jenny Dubnau
In Jenny Dubnau’s Long Island City studio is a vertical mirror with adhesive stenciled letters spelling out the name “Jennifer.”
Interview
In Jenny Dubnau’s Long Island City studio is a vertical mirror with adhesive stenciled letters spelling out the name “Jennifer.”
Interview
Collector Jeffrey Goldstein agreed to speak with me about some of the concerns raised in my previous post — including the handling of Vivian Maier's artworks and story, as well as the ethics of making posthumous prints from her original negatives.
Interview
When I arrived at Catherine Murphy’s home in Poughkeepsie, New York, I was led down a long outdoor path to her studio. Murphy was working on a painting of a pie crust; she asked her assistant to put the dough on ice while she spoke with me.
Interview
CHICAGO — On February 13, I found myself in the back seat of a bus in Chicago with the artist Marni Kotak. We felt comfortable in the back of the bus. We are those kinds of women.
Interview
LOS ANGELES — Most artists like to think of their studios as private domains: as places where they can wrestle with the problems and possibilities of art making without anyone looking over their shoulder. Mark Dutcher, a Los Angeles painter, has spent the last five years gradually breaking down that
Interview
In Richard Brautigan’s 1968 novel In Watermelon Sugar, a girl named Margaret often wanders off to the Forgotten Works, a forbidden area piled with the detritus of past civilizations. Like Margaret, the artist Mark Dion is drawn to old things.
Interview
Graham Nickson and I met in his offices at the New York Studio School, where he has been Dean since 1988. There was a pointed severity to our meeting-place, which offered no distractions from the task at hand.
Interview
Wafaa Bilal asks us to bear witness, examine, and understand recent history. He places himself in his art to raise awareness and alter our perceptions.
Interview
What may seem erratic, disparate, schizophrenic, and impatient might instead be read as a thoughtful, methodical, and relentless reconstruction of, as Hassan puts it, his process of defining the sum total of knowledge.
Interview
LOS ANGELES — Here’s the problem: “It is how people come to see art as a tool, a flavor, or a device.” So says Charlie White, editor of The Enemy, a triannual online journal that publishes long-form essays on criticism, social science, poetry, celebrity, and other cultural interests.
Interview
LONDON — In a 21st-century take on the artist and his model, Frances Stark has performed a gender swap and had her wicked way with up to ten male muses.
Interview
Describing the world of new media/glitch artist Jon Cates is a labyrinthine task. You might begin with his spontaneous and inventive word-language actions reminiscent of William Burroughs cut-ups; or the hypnotic .gif animations made from seemingly incongruous, discarded fragments of media; or perha