Interview
The Diasporic Imagination of Nishan Kazazian
Bridging art and architecture is the Lebanese-Armenian-American artist’s life’s work.
Interview
Interview
Artists Remember the Transformative Teachings of Toshiko Takaezu
The late artist’s unusual classes and apprentice program continue to inspire a mix of play and discipline in her former students’ practices.
Interview
John Yau Talks About the Art of Collaboration
The exhibition Disguise the Limit highlights the many different ways Yau has worked with a wide range of visual artists over the past five decades.
Interview
Benshi Performers Pass Along a Way of Thinking
Ichirō Kataoka and Kumiko Ōmori tell Hyperallergic about the modern-day conventions and challenges of the Japanese art of narrating silent films.
Interview
Sam Dienst Weaves the Everyday Into Rich Tapestries
Dienst wrests playfulness and movement from the warp and weft of weaving.
Interview
At Age 81, Carole Harris Is Embracing Imperfection
Her creations have a beautiful economy, where even rusty old machine parts might become transformed into a gilded patina on one of her sensuous memory maps.
Interview
Rose B. Simpson’s Antidote to “Postcolonial Stress Disorder”
“The pieces feel like they used all of us to create themselves,” she told Hyperallergic.
Interview
Kayla Powers Weaves Sensory Maps of Detroit
The fiber artist forages local plants to create delicate urban-agrarian weavings.
Interview
Spike Lee on His Collection of WWII Propaganda Posters
The film director and New York icon discusses the trials and triumphs behind the posters featured in his Brooklyn Museum exhibition.
Interview
In TM Davy's Art, Faeries Have Their Day
The artist’s recent exhibition, Fae, is like a fantasy film that asks you to stay open to the idea of magic.
Interview
Frederick Wiseman’s Bucket List Included Making a Restaurant Doc
"Filming in a kitchen is like working with a ballet or theater company," the filmmaker told Hyperallergic in an interview for the release of his new film Menus-Plaisirs Les Troisgros.
Interview
The Exposed Nerves of Kim Jones’s Art
“My drawings were always kind of grim and dark, and leaning toward the nasty part of art, whatever you want to call it,” Jones explains in an interview with Hyperallergic.