I Am Seen…Therefore, I Am at the Wadsworth Atheneum counters the racist images of Black Americans that were presented in mainstream media in the 19th century.
Isaac Julien
Posted inFilm
An Essential Watchlist of Groundbreaking Black Documentaries
These films illustrate both the undeniable threat of white supremacist capitalist patriarchy and the incomparable strength of Blackness.
Posted inArt
Isaac Julien’s Political Memory
Western Union: Small Boats provokes our dread and desire.
Posted inSponsored
Western Union: Small Boats by Isaac Julien Is on View at the Neuberger Museum of Art
The video installation addresses the enduring political questions raised by migration: Who belongs and who does not? Who lives and who dies? On view February 12-May 31.
Posted inArt
When You Can’t Go Home Again: Immigrants and Artists Reflect
This exhibition at ICA/Boston presents works by 20 contemporary artists — many of them immigrants or members of the African diaspora — that highlight current migration events.
Posted inArt
Lessons Learned at the Feet of Frederick Douglass
Isaac Julien advances a layered, palimpsestic view of time, not as progress but as a series of lessons. This, then is a note of what I learned.
Posted inArt
The More Things Change
Marianne Bernstein, an artist and curator of this exhibition, told me that part of her interest in assembling this exhibition was to chronicle the changing storyline of Sicily and to encourage non-binary thinking.
Posted inArt
Gazing at Photographs that Look At and Past Us
SAN FRANCISCO — “I am invisible, understand, simply because people refuse to see me […] It is as though I have been surrounded by mirrors of hard, distorting glass,” Ralph Ellison’s narrator declares in Invisible Man.
Posted inArt
Going Contemporary at the Armory
If the art world has been about globalism for quite a while I can say that is more true now than ever — if that’s possible.
