The oversized pen bleeds red over a sheet of paper inscribed with the names of over 140 prisoners of conscience in Saudi Arabia.
The seven shorts of the anthology The Year of the Everlasting Storm are impressively varied, given the constraints under which they were made.
This year’s second documentary about the Saudi Arabian journalist, The Dissident focuses more on his life story.
Kingdom of Silence uses the journalist’s life and murder to scrutinize the relationship between Saudi Arabia and the US.
Images of the murdered journalist and other political prisoners were projected onto the Saudi Embassy, Trump International Hotel, Washington Post headquarters, and more.
Abdulnasser Gharem’s “The Safe” (2019) is an installation that puts its visitors inside a padded room that recalls the slain journalist’s torture chamber.
The Smithsonian, Sotheby’s, and landmark institutions across NYC are under pressure to address their financial connections to the Saudi Arabian government in the wake of the suspected murder of Jamal Khashoggi.