Posted inArt

The Unnatural Wonders of Japan’s Influential Rinpa Aesthetic

I always consider it fortunate that at institutions like the Metropolitan Museum, exhibitions continue to argue eloquently that art has evolved along manifold trajectories before postmodern discourses recognized it as so. In that vein, one of the highlights of the fall museum season, Designing Nature: The Rinpa Aesthetic in Japanese Art, which explores a distinctive style that originated in early 17th century Kyoto and thrived well into the 20th century with far-reaching resonance in Post-Impressionism and Art Nouveau, promises more than an optical feast or a comprehensive academic survey.

Posted inNews

Japanese Modernist Landmark Preserved in Manhattan

At only 40 years old, Japan Society’s low-slung modernist headquarters at 333 East 47th Street has just been named New York’s youngest landmark building by the state’s Landmark Preservation Commission. The structure, designed by Junzo Yoshimura and George G. Shimamoto and first completed in 1971, translates traditional Japanese architectural forms into a modernist idiom, bowing to neither but combining the two languages in an innovative and complex way. I spoke with Japan Society vice president Joe Earle about the landmark designation and his experience of the building itself.