Curiously, Dubuffet’s anti-hierarchical approach to art did not translate to similar views on society.
Jean Dubuffet
Discovering the Women of Art Brut
In Vienna, a new exhibition showcases the ideas and accomplishments of self-taught female artists.
The Subtle Madness of Larry Poons and Jean Dubuffet
Who would have thought that Dubuffet’s “art brut” style would eventually find an affinity with the gritty, unconventional large-scale paintings Poons made three decades later?
The Outsider Artist Who Built His Own Private “Disneyland”
HAMTRAMCK, Mich. — Outsider artists walk a fine line between being perceived as inspired or insane.
Jean Dubuffet and Art Brut in the US: A Historical Moment Re-examined
What if canonical art history had been written not by academics but by art’s makers themselves? Who would have been included in such a history, and who would have been left out?
Encounters with an Artist Who Paints in Public
CHICAGO — Artist Audrey Ushenko literally makes public art.
Weekend Studio Visit: Melissa Meyer in Midtown Manhattan, New York
Over the past decade, Melissa Meyer, rightfully characterized by David Cohen “as virtually without a peer as a lyrical abstractionist,” moved from the lyrical to the disjunctive.
Alfonso Ossorio: A Shot of Painterly Heroin
When I first became of aware of the work of Alfonso Ossorio, it was through his off-the-wall (no pun intended) assemblages from the 1960s. Though they’re extremely approachable, these works can also make one feel uneasy; they vibrate with the sort of psychedelic energy that marks that decade.
Jean Dubuffet’s Lasting Legacy
BRIGHTON, U.K. — Perhaps it is little wonder the last time Jean Dubuffet was reviewed in a public gallery in the United Kingdom, the year was 1966 and the decade was swinging. The French painter’s love of raw creativity was of a piece with the social revolutions taking place. His invention of Art Brut was perhaps the rough, raw yin to Pop art’s glossy yang.