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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Jean Genet

Posted inArt

America Is Trembling: Jean Genet’s Answer to Donald Trump

Avatar photo by Tim Keane January 21, 2017January 19, 2017

Jean Genet believed that money was inherently evil and the quest for power was a form of necrophilia.

Posted inArt

A Dance Pairs Jean Genet and Lady Gaga

by Kerry Gaertner Gerbracht September 24, 2015September 25, 2015

Choreographer and writer Jack Ferver’s new collaboration with artist Marc Swanson, Chambre, begins with Ferver, scantily-clad in a gold, chained bodysuit and dark sunglasses, ranting about a former employee who had the audacity to use “my YSL discount without my permission.”

Posted inPerformance

Domestic Workers Air Their Dirty Laundry Onstage

by Tara Sheena November 7, 2014November 7, 2014

Laudicieia Calixto and Rita Oliveira enter the space of the Abrons Arts Center’s Experimental Theater and find themselves in a somewhat familiar scene: a slightly cluttered apartment, littered with fancy gowns, full-length mirror, desk, phone, assorted wigs.

Posted inArt

Exposing the Blood and Guts of Hollywood’s Teen Girl Fantasy

by Alicia Eler September 9, 2014September 9, 2014

LOS ANGELES — Laura Parnes’s four-disk video series Blood and Guts in Hollywood exposes the idealized teenage dream for what it is: A boring, vapid fantasy of “love” that is marketed and sold to an audience of young dreamers searching for their soulmate in the illusions of silver screens and false idols.

Posted inBooks

Genet Redux: On Chris Tysh’s ‘Our Lady of the Flowers, Echoic’

by Michael Leong June 15, 2014June 13, 2014

Chris Tysh’s Our Lady of the Flowers, Echoic is, as the title suggests, a revision, or better yet, a re-sounding, a twenty-first century echo of Jean Genet’s transgressive and groundbreaking debut novel Notre-Dame-des-Fleurs, which he drafted in prison in 1942 and framed as a kind of playful, metafictional autobiography.

Posted inArt

“The Line Into Which I Shall Merge”: Jean Genet Among the Painters

Avatar photo by Tim Keane January 5, 2013January 9, 2013

Stendhal on Correggio, Baudelaire on Guys, Zola on Manet, Proust on Moreau. It’s a long-standing practice, French poets and novelists taking up art criticism. In the 20th century, the roster continues: Apollinaire,Breton, Leiris, Malraux, Sartre, Bataille, Bonnefoy, and there’s the French poet-painters: Picabia, Cocteau, Nouet, Jacob.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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