Art
The Pleasures and Risks of Ahistorical Curating
PARIS — In Carambolages, currently at the Grand Palais, we are plunged into the big, fuzzy, ahistorical world of anti-categories typical of the networked global economic order.
Art
PARIS — In Carambolages, currently at the Grand Palais, we are plunged into the big, fuzzy, ahistorical world of anti-categories typical of the networked global economic order.
Art
PARIS — Three curators, Jean-Hubert Martin (who last year orchestrated the sprawling Théâtre du Monde show), Moulim El Aroussi, and Mohamed Métalsi, have assembled a vast 2,500 square meters (~27,000 sq. ft.) show of contemporary aesthetics from Morocco called Contemporary Morocco at the Institut du
Art
PARIS — Theatre of the World, currently on view at La Maison Rouge, raises the thorny issue of the individual and particular against the homogeneous collective.