Gibson alleges that Kavi Gupta withheld more than $500,000 in payments, a claim the gallery denies.
Gibson, the first Native artist to have a solo exhibition at the US pavilion, draws from traditional Indigenous craft and contemporary aesthetics in a multilayered exploration of history and identity.
Inspired by the multilayered histories of the city’s waterways, the biennial’s curatorial team has amassed an exciting array of contemporary Canadian and international artists, with a focus on Indigenous artists.
The museum’s collection now includes a mixed-media garment by Jeffrey Gibson and an aluminum signage piece by Edgar Heap of Birds.
Over the last decade Jeffrey Gibson has moved from creating lyrical, abstracted acrylic landscape paintings with beaded and sculpted paint elements to a dizzingly multi-varied practice, which interfaces with the rubrics of fashion, gender, and ethnicity.
Starting in July, Socrates Sculpture Park will unveil works by Nona Faustine, Jeffrey Gibson, and more, injecting fresh energy into current debates surrounding public monuments in the US.
PORTAL, the National Portrait Gallery’s Scholarly Center, announces a series of Zoom webinars featuring artists, curators, and scholars in conversation about portraiture and performance art.
Gibson’s ongoing explorations of identity and art history have produced a dizzying range of forms over the course of his career.
Join Glenn Adamson and Julia Bryan-Wilson for a discussion on Jeffrey Gibson’s Inidigenous craft techniques.
By offering a space for projects like R.I.S.E, Recess vitally promotes the idea of creation as a necessarily social process.
In a word, Gibson’s work is anticipatory — imagining who we humans might become when we truly begin to fill out the contours of our expansive humanity.
This Is the Day explores Gibson’s artistic approach, which combines pop culture with references to Native American history and current events