Art
On a Saturday evening a few weekends ago, several artists, performers, activists, and writers gathered at an apartment in Chelsea to discuss their relationship to the city-wide process of gentrification.
Art
To appreciate the group exhibition Thanks for Writing at 601Artspace, you must be prepared to savor the written word. The show highlights diverse considerations of the relationship between language and visual art with 14 artists addressing disparate topics and working in different media.
Art
Winkleman gallery’s newest exhibition Cool Guys Like You by Jennifer Dalton is a must see. You should go and get a 25 cent temporary tattoo, and check out her disarming info graphics about media talk show media coverage.What really excited me though wasn’t the headliner, but the playful, color blast
Opinion
This month's ARTnews includes an extensive feature by veteran arts writer Barbara Pollack on social media art. This is a fascinating read for anyone interested in understanding the emergence of social media art and how artists are using the medium to create work.
Art
Artist Nate Hill's new project, "White Power Milk" (2011), pushes the boundaries of race, sexuality and commodification. He explains, "I named it 'White Power Milk' because I'm selling people that access to white girls from powerful families. Those are the hardest white girls to get access to. They
Art
According to Eric Doeringer, the artist-curator of I Like the Art World and the Art World Likes Me, the exhibition’s title—a nod to Joseph Beuys’s 1974 performance “I Like America and America Likes Me”—is meant to convey the “fraught relationship between emerging artists and the art-world establishm
Art
When the Verge art fair launched Verge Brooklyn, many Brooklyn galleries were peeved that the DUMBO-based event would take away from local galleries scenes. Why would they have to pay to be in an art fair in their own borough when Armory week was the only time they could get out of town collectors t
News
Felix Salmon just posted an incandescent piece on the State of the Art World seen through the lens of Davos. At a meeting of plutocrats and artists, Salmon sees collectors buying art not for its aesthetic quality but for its aura: the respect and awe that comes with owning something really expensive
Opinion
Earlier this month, I sent out a call for comments on #Rank [http://www.hashtagclass.com/], a project created by artists William Powhida and Jennifer Dalton, who were the masterminds behind #Class (Winkleman Gallery, February 2010). The following are the responses we received from across the country
Art
How many of the estimated 46,000 artists, dealers, collectors, and lookyloos that checked in at Art Basel Miami Beach actually made the 35-minute car trip from the stunning South Beach to industrial Wynwood for the Seven Art Fair is still unclear. Seven was to Basel what Independent New York was to
Opinion
We're collecting reactions to last week's #Rank [http://www.facebook.com/pages/HashtagRank/172812192730772?v=info] event at the Seven Art Fair. Did you attend? Lead an event? Stumble upon it? Watch the livestream or follow it via Twitter? Which ever way you noticed it or tuned in, I want you to shar
Opinion
We already warned you [http://hyperallergic.com/13020/5-projects-hashtagrank-miami/], so it should be no surprise that Paul Steen's art world-ized open source video game based on Assault Cube [http://assault.cubers.net/], but injected with 150 of the "most important living artists" according to Artf