Laugh Back’s comedic timing is so regrettably tardy that its punchlines about Trumpism and American masculinity fail to land.
In Practice: Material Deviance, the group exhibition currently occupying the quirky basement space at SculptureCenter, can’t quite live up to its curatorial statement.
CHICAGO — John Chaich’s exhibition Queer Threads considers artworks that use craft aesthetics to reclaim, reimagine, and renegotiate previously accepted hierarchies of visual culture.
Curator Danny Orendorff’s 19-artist exhibition All Good Things Become Wild and Free at Carthage College’s H.F. Johnson Gallery of Art located in Kenosha, Wisconsin, is a textually rich, difficult-to-describe arrangement. It is a forest plucked from the sewage system of Candyland-meets-Edward-Gorey’s-subconscious.