Laugh Back’s comedic timing is so regrettably tardy that its punchlines about Trumpism and American masculinity fail to land.
Jesse Harrod
Posted inArt
When the Language Meant to Prop Up Art Makes It Fall Over
In Practice: Material Deviance, the group exhibition currently occupying the quirky basement space at SculptureCenter, can’t quite live up to its curatorial statement.
Posted inArt
Stitching Not Bitching
CHICAGO — John Chaich’s exhibition Queer Threads considers artworks that use craft aesthetics to reclaim, reimagine, and renegotiate previously accepted hierarchies of visual culture.
Posted inArt
A Wild Forest of Queer Aesthetics
Curator Danny Orendorff’s 19-artist exhibition All Good Things Become Wild and Free at Carthage College’s H.F. Johnson Gallery of Art located in Kenosha, Wisconsin, is a textually rich, difficult-to-describe arrangement. It is a forest plucked from the sewage system of Candyland-meets-Edward-Gorey’s-subconscious.
