In Vaughn’s hands, “success” takes shape as a parade of etiquette, competition, and power.
Representations of Listless, Deadening, Corporate Office Life
Using cubicle partitions obtained from the Texas Department of Education in Austin, Jessica Vaughn’s setup resembles a planned office airlifted from the 1980s.
The Surprising Eloquence of Mass-Produced Materials
Jessica Vaughn’s show of restrained conceptual works subtly evokes the experiential dimension of mass-produced objects.
When Conceptual Art Makes You Acutely Aware of Your Body
Invisible Man, a group show at Martos Gallery curated by Ebony L. Haynes, gathers works by four artists that subtly call attention to embodied experience and the histories embedded in utilitarian objects.