The wooden box full of amulets, trinkets, and gems is believed to have belonged to a Roman sorceress, according to the Archaeological Park of Pompeii.
While the pieces on display are beautiful, The Met’s Jewelry: The Body Transformed exhibition is lacking in curatorial vision, dividing the objects into blandly-broad thematic sections.
The superstar’s scintillating Glenn Spiro ‘Papillon’ ring is now on view in the V&A’s jewelry galleries.
PARIS — Wearable Treasures: Maghreb Jewelry and Ornaments is a pointed consideration of the psychic powers interlaced throughout North African women’s jewelry.
After his death in 1978, Harry Bertoia was interred beneath one of his most impressive sonic works: a 2,000-pound, 10-foot-in-diameter silicon bronze gong.
Rings are one of the most personal and oldest human adornments, evolving in complexity with metalwork techniques and the gemstone trade.
LOS ANGELES — Most of us want to fly. And while we’ve generally figured out that human beings best fly through a gliding mechanism, Leonardo Da Vinci famously tried to mimic the way so many other animals fly but he never did get off the ground.
Imagine strolling through clean, bright halls, surrounded by immaculate display cases filled with baubles and trinkets, the steam-polished precious metals and gems coruscating in the glare of spotlights. Hear your feet clacking on the white floors, stopping to look closer at the jewelry on display, but not close enough to stir the ire of the security guard peering over your shoulder. Imagine wanting everything you see, from diamond diadems to neon-tubed necklaces. No, you’re not in Tiffany’s or Cartier, you’re in the Museum of Arts and Design, gazing at their new show, Picasso to Koons: The Artist as Jeweler.