Focused on the years 1962–1964, a program by Film at Lincoln Center pairs with a Jewish Museum exhibition and a survey at Film Forum.
The union would include art handlers, curators, development staff, educators, visitor experience and retail employees, and other administrative staff.
The Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition.
It’s a good bet that being called his daughter would have made Bourgeois hopping mad.
For all of its emphasis on unraveling, the most intriguing works in Freud’s Daughter are often the most abstruse ones.
Hear from artists, community activists, and cultural theorists as they discuss the impact of public artworks and the role of museums in achieving equity.
A bright pink silicon menorah in the Jewish Museum, a pair of Hanukkah hymns from a medieval prayer book in the New York Public Library, and other gems.
We Fight to Build a Free World prompts the question of whether political artworks can truly convey their own radicalism within the halls of an Upper East Side museum.
The artist shares his thoughts on museums, power, art, and ideology.
An archival show has to be judged, in part, by the depth to which it mines the archive.
For a brief moment, Soviet Russia looked like Camelot, and artists like Marc Chagall, Kazimir Malevich, and El Lissitzky banded together to paint the way toward that utopian future with the People’s Art School in modern-day Belarus.
If there is a single point of agreement in the posthumous literature on Chaim Soutine, it is that the Lithuanian-born Jewish artist is surrounded by legend.