The artist shares his thoughts on museums, power, art, and ideology.
An archival show has to be judged, in part, by the depth to which it mines the archive.
Rosler is not expecting art to end wars or change policy, but she wants to make the viewer pay attention to both in the first place.
For a brief moment, Soviet Russia looked like Camelot, and artists like Marc Chagall, Kazimir Malevich, and El Lissitzky banded together to paint the way toward that utopian future with the People’s Art School in modern-day Belarus.
If there is a single point of agreement in the posthumous literature on Chaim Soutine, it is that the Lithuanian-born Jewish artist is surrounded by legend.
The Jewish Museum hosts a conversation about Soutine’s gestural painting and still lifes, moderated by Hyperallergic’s John Yau.
Each of these exhibitions showed me something I had not seen before.
After investigating sexual harassment allegations recently brought forth by staff members, the Jewish Museum announced today that it has ended its relationship with Hoffmann.
The institution has suspended all current projects with Hoffmann, who served as its director of special exhibitions and public programs.
A half-Italian, half-French Sephardic Jew, Modigliani was a cultural mixed bag from the get-go.
Benjamin’s gargantuan Arcades Project brims with philosophical propositions, poetic digressions, lyrical aphorisms, and experimental theses.
Stettheimer was born into a wealthy, financially secure Jewish family, and she never had to work. For some people, her wealth means that she did not suffer enough to be an artist, and therefore her work does not have enough gravity.