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Hyperallergic

Hyperallergic

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Jiha Moon

Posted inArt

Jiha Moon’s Artistic Breakthrough

by John Yau January 13, 2022January 13, 2022

It is precisely Moon’s openness to using any source that makes her work flamboyant, captivating, odd, funny, smart, uncanny, comically monstrous, and unsettling. And, most of all, over the top.

Posted inArt

The White Melting Pot

by John Yau June 27, 2020November 5, 2020

The work of Jiha Moon and Stephanie H. Shih is both aesthetic and political, a commentary on assimilation as a process in which one’s national origin is not forgotten or erased.

Posted inArt

A Survey of American Art That Isn’t Just Coastal

Avatar photo by Gregory Volk March 7, 2020March 9, 2020

This thoughtfully curated exhibition is evidence that much compelling and adventurous art is indeed being produced all around the country.

Posted inArt

What the New York Art World Is Missing

by John Yau January 11, 2020January 10, 2020

What is striking about Jiha Moon’s work is that it does not quite fit into the New York art world’s current concerns with racial and ethnic identity because, as far as I can tell, this art world has never addressed issues of Asian cultural dislocation.

Posted inArt

Witty Mashups Without Meaning

by Janet Tyson March 3, 2016March 3, 2016

KALAMAZOO, Mich. — Jiha Moon’s colorful mixed-media works are in the collections of the Asia Society in New York and the Smithsonian’s Hirshhorn Museum and Sculpture Garden, among other US institutions.

Posted inArt

In Survey of Southern Art, Place Is the Space

by Rob Colvin September 5, 2014September 5, 2014

CHATTANOOGA, Tennessee — Jiha Moon was one of several artists the critic John Yau would like to have seen at the Whitney Biennial this year and didn’t.

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