By choosing the unforgiving surface of toothed paper and making irrevocable marks, Nutt enters a territory few American artists have dared to go.
Jim Nutt
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The Wild World of the Hairy Who
The Chicago version of Pop Art, embodied in the work of the Hairy Who, is sweaty, nervous, sometimes giggly or goofy.
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When Art Refuses to Let Go
Delirious at the Met Breuer is an exhibition filled with beautiful but comparatively polite works by habitually transgressive artists.
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Plastic Purses and Comic-Book Catalogues: American Postwar Art at the Margins
Life-size knit body suits mingle with painted metal lawn chairs, plastic purses, and rows of zines and ephemera in the summer show at Matthew Marks Gallery, What Nerve!, which gathers the work of four outlying postwar art groups in the United States.
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Courtney Love’s Hole Inspires Art Show
With the exhibition Pretty on the Inside, co-curators KAWS and Erik Parker reveal that they must be fans of the Courtney Love-led band Hole’s debut album and song for which it is named, but they also make us wonder about the show’s connection to the music.
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20th C Moderne at the Armory
If the contemporary side of the Armory is flashier with its glamor and energy, this is the tried and true historical wing that presents a more reserved modernist face but not one without a lot of seduction. Here are some of my picks for what to see if you visit.
