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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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John Constable

Posted inArt

What Constable Sacrificed for His Artistic Success

by Michael Glover November 18, 2021November 18, 2021

Sentimentality would creep into the artist’s late evocations of remembered childhood scenes, as would idealization.

Posted inArt

How the Naming of Clouds Changed the Skies of Art

by Allison Meier January 7, 2016January 7, 2016

The clouds in many 19th-century European paintings look drastically different than those in the 18th century.

Posted inArt

The Merits of Old Masters’ B-Sides, at the Frick

by Peter Malone January 12, 2015April 15, 2016

Masterpieces from the Scottish National Gallery, on view in the East Gallery of the Frick Collection, is a gathering of ten paintings analogous to the cohort of masterpieces in the Frick’s adjacent West Gallery. Visitors are left free to consider each as representing a unique, if not significant moment in each artist’s career.

Posted inBooks

The Mouse, an Unexpected and Enduring Art Muse

by Allison Meier November 12, 2014January 19, 2022

As one of the most common mammals on our planet, the diminutive mouse has been scurrying its way into art for centuries. The rodent has now finally received its own art compendium with Lorna Owen’s Mouse Muse: The Mouse in Art, out next week from Monacelli Press.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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