I remember David Zwirner Gallery back in the 1990s, before Chelsea, when the New York art world was much smaller and more manageable.
MIAMI BEACH — The 14th edition of Art Basel Miami Beach offers its expected share of conventional, cheesy, captivating, cool, and curious works, but it would be impossible to discuss everything worth a mention.
Earlier this week I posted a review of MCASD’s current show Phenomenal: California Light, Space, Surface. Reading this, you might have thought, “Cool! Perceptual deprivation! Now I’ll know what it was like doing LSD in the 1960s and 1970s without worrying about passing a drug test at work!” Which is all well and good. But you also might have wondered, beyond the entertainment factor, why should you care. What exactly is the Light and Space movement and why is it important?
SAN DIEGO — One of the most anticipated shows of Pacific Standard Time — the Getty’s epic initiative to “celebrate the birth of the LA art scene” and demonstrate that art history has also been made outside of New York — is the Museum of Contemporary Art San Diego’s Phenomenal: California Light, Space, Surface. Spanning both the La Jolla and Downtown locations, Phenomenal seeks to investigate the artists working in the 1960s and 1970s who turned to light instead of form and addressed notions of perception. For artists playing with natural light, Southern California was the perfect place to work.