Often, there is a disconnect between the museum world and Roma representation. One exhibition at the National Gallery of Art proves that it doesn’t have to be this way.
A lavishly illustrated, fascinating book explores the resurgence of Venetian glass and the ways it influenced American ideas about taste and beauty.
From the John Singer Sargent frontal nude painting of McKeller in Boston’s MFA, I’d imagined Thomas as tall and slender. Looking more closely, I can see that even 100 years ago a body like Thomas’s was not accidental.
From critical to patriotic and everything in between, a vast exhibition at the Pennsylvania Academy of the Fine Arts displays the full range of US artists’ reactions to World War I.
As artists like Georges Seurat and Claude Monet were capturing the refinement of European gardens in quick brushstrokes, so did American Impressionists like Childe Hassam and William Merritt Chase turn to the cultivated landscapes around them for inspiration.
GREENWICH, Conn. — Everything was illuminated at the 1900 Exposition Universelle in Paris, from 5,000 electric lamps igniting the Eiffel Tower to the Grand Waterfall, a cascading fountain animated by colored lights.
Bruce Museum’s ‘Electric Paris’ features approximately fifty paintings, photographs, and drawings that explore the influence of artificial lighting on the Impressionists and their contemporaries. Expect a mix of European and American masters: Edgar Degas and Mary Cassatt, John Singer Sargent and Henri de Toulouse-Lautrec, among many more.
Rare examples of John Singer Sargent’s printmaking are on temporary view at the Metropolitan Museum of Art, demonstrating his interest in the expressive shapes of the human body and lithography’s potential to show these figures in darkness and light.
John Singer Sargent’s brilliance as a painter should be obvious to anyone with eyes. And yet a perennial caveat inevitably surfaces in much of the discussion that accompanies exhibitions of his work.
Life Lines: Portrait Drawings from Dürer to Picasso at the Morgan Library & Museum may not venture very far beyond canonical European artists, but it uncovers richness and diversity within a circumscribed field, especially in the work of its two anchors, Albrecht Dürer and Pablo Picasso.
You might say that Boston was to John Singer Sargent what Florence was to Michelangelo.
Masterpieces from the Scottish National Gallery, on view in the East Gallery of the Frick Collection, is a gathering of ten paintings analogous to the cohort of masterpieces in the Frick’s adjacent West Gallery. Visitors are left free to consider each as representing a unique, if not significant moment in each artist’s career.