News
Waters speaks fondly of his hometown museum, saying his love for art was sparked after he purchased a Joan Miró print from the BMA shop in the 1950s.
Art
SAN FRANCISCO — There’s something deliciously subversive about an old-guard, establishment art gallery mounting an adamantly low-tech, analogue art show that celebrates dysfunction, messiness, and thwarted purpose, and doing it at the vortex of an industry that fetishizes streamlined, enhanced, digi
Art
An oversize facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980.
News
"Today may be the last day of your juvenile delinquency, but it should also be the first day of your new adult disobedience," John Waters recently told the 2015 graduating class of Rhode Island School of Design (RISD) in his commencement speech.
Art
Shown as part of Beverly Hills John, his third show at the Marianne Boesky gallery, John Waters’s video Kiddie Flamingos made us chuckle, which is rare for a Chelsea gallery work. But then, his gallery art has always been funny.
Art
Beverly Hills John, the John Waters show currently at Marianne Boesky gallery, features works by the artist in a variety of mediums, most born of image manipulation and/or appropriation.
Interview
The Film Society of Lincoln Center is honoring filmmaker John Waters with the first retrospective of his films in the United States. Over the course of ten days, they’ll be screening all twelve of his feature films and the early underground shorts he directed and shot financed by his father.
Performance
While skimming through my Facebook news feed last week, I noticed that Murray Hill had posted a picture of himself with Patti Lupone in her dressing room, following a performance of her show Far Away Places, which ran for a couple of nights at the new lounge/cabaret space 54 Below, near Times Square
Test Older Posts
Museums are turning more, and with more creativity, to their own permanent collections. Is necessity the mother of invention once again, or is there a real interest among museums to breathe new life into their own holdings? (Or both?) Either way, the public is reaping the benefits. Today viewers hav
Opinion
Pope of Trash, filmmaker John Waters, who is known for his filthy classics like Pink Flamingos, Female Trouble and Hairspray, has joined a biker gang. Surprisingly, it is a contemporary art biker gang.