News
Institutions in Germany, Canada, and the US have postponed planned exhibitions of the digital media artist's work after allegations against him surfaced online.
Art
The High Line's Mutations exhibition features motion-capture cameras for birds, audio of the Great Pacific Garbage Patch, and other uncanny interventions in the elevated park.
Art
From an increasingly diversified roster of galleries to a surprising slew of rock art, the mega-fair is impressively eclectic this year.
Art
The latest Sharjah Biennial features over 50 international artists, many of whom have created impressive installations in the Emirate.
Art
From a watery remix of Call of Duty to an elegiac star system commemorating victims of police brutality, the online-only exhibition's six VR works showcase a range of possible worlds.
Art
Digital artifacts manifested as public sculpture populate the Public Art Fund’s Image Objects in Lower Manhattan's City Hall Park.
Art
"As you look at the screen, it is possible to believe you are gazing into eternity," says an absent, artificial female voice in the beginning of Jon Rafman's NSFW "Still Life (Betamale)" (2013) video.
Art
MONTREAL — Entry was free but the carpet still red, a rain-sodden lilt up entrance stairs. And under drab skies the people came. Here, tonguing the periphery of Montreal's infamous red light district, was Papier14, the works-on-paper fair's seventh annual iteration.
Art
MONTREAL — While the big glitzy art fairs in New York, London, and Miami often grab the headlines for the sheer volume of ostentatious art, celebrity-friendly promotions, and over-the-top displays, many people overlook the range of excellent small fairs that appeal to discerning collectors in differ
Opinion
Traversing the virtual mirror of the real world created by Google Earth and Google Street View has become something of a global pastime, putting everywhere (as long as there’s a road, at least) within the reach of armchair explorers. Yet walking through the landscape step by step and mouse click by
Opinion
Art historian and associate professor at New York’s CUNY Graduate Center Claire Bishop has taken to the pages of Artforum’s September edition to issue a kind of rebuke for contemporary art. She argues, in an extended essay that only briefly detours into egregious artspeak, that though the new realit
Interview
Lauren Cornell, Executive Director of Rhizome, gives us a taste of what we can expect from her exciting new exhibition, Free, at the New Museum this fall. Incorporating 23 artists, Free will reflect “artistic strategies that have emerged in a radically democratized landscape redefined by the impact