After Safariland, if you need to convince yourself that the art world isn’t entirely in money’s thrall, you’d want to be anywhere but here.
The first painting I saw in 2016 was “Cockman Always Rises Orange” (2015): we can’t say we weren’t warned.
Jonathan Lasker’s approach to painting hasn’t changed materially in decades, and so why would his work, which struck me as an alienating (if not irritating) closed system when I first started looking at it in the 1990s, now feel so open, urgent, and fresh?
The owners of BravinLee aren’t satisfied with simply selling art to hang on the walls. In a new initiative, they’re expanding their inventory to include art to put underneath the coffee table.