Joshua Marsh has fashioned a world where a sweet, wise humor in the face of mortality and inescapable change prevails.
Marsh might begin with close observation, but he ends up in a fever dream — a garden of otherworldly delights.
HUDSON, N.Y. — One of the worst things an artist can have is too much skill.
The changes that Joshua Marsh has made since his debut show at Jeff Bailey in 2010 — which I reviewed for the Brooklyn Rail (October 2010) — should be mentioned. In As If, his second exhibition at the same gallery, he shows drawings for the first time — thirty works on clay-coated paper measuring 5 ½ x 7 inches. Marsh relies on scribbling and shading to locate forms. Some drawings are airy and open, while others are dark and dense, where he has gone over an area countless times.
Radiator Gallery’s From Life is a savvy exploration of how new technologies, current events and aesthetic concerns can breathe new life into traditional genres.