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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Juliette Binoche

Posted inFilm

Juliette Binoche Is Torn Between Two Lovers in Claire Denis’s Both Sides of the Blade

Avatar photo by Sam Bodrojan July 3, 2022July 1, 2022

Fans of director Claire Denis should check the film out, but as an agnostic, I find it one of her few truly awful pictures.

Posted inFilm

In Who You Think I Am, Juliette Binoche Transcends Mid-Life Crisis Stereotypes

by Eileen G’Sell September 9, 2021September 10, 2021

Binoche plays a woman who is ultimately accountable for herself and doesn’t pretend to be any better than she is.

Posted inFilm

Juliette Binoche Offers a Tantalizing Performance in Her Two Latest Films

by Eileen G’Sell May 24, 2019June 24, 2022

In both High Life and Non-Fiction, Binoche is a temptress equally tender and intimidating.

A scene from Let the Sunshine In (2017, directed by Claire Denis), a Sundance Selects release (courtesy Sundance Selects)
Posted inFilm

Juliette Binoche Beds and Sheds Lovers in Claire Denis’s Anti-Rom-Com

by Eileen G’Sell May 7, 2018July 2, 2021

Let the Sunshine In is a rom-com only insofar as our heroine, a successful painter and divorcee, drinks and sleeps with a lot of men and frets about it later; but the laughs are few and the sighs are heavy.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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