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Posted inArt

K8 Hardy, Please Sashay Away

Fashion as a basis for genuine artistic work may be dead. Even when it’s properly approached and used, as in Cindy Sherman’s fashion editorial series or the early installations of artists-cum-couturiers Zowie Broach and Brian Kirkby under the Boudicca label, I tend to find that the medium isn’t being mined for all its potential. Photographer K8 Hardy’s “Untitled Runway Show,” a performance piece mounted on May 20 as part of her work in the Whitney Biennial, seems to have proven that in the hands of popular contemporary artists, fashion in a museum can be as nauseating as the debauchery on display at Fashion’s Night Out.

Posted inArt

Angry Art Letters on the Lower East Side

Ridykeulous, founded by artists Nicole Eisenman and A.L. Steiner in 2005, describes itself as an effort to “subvert, sabotage, and overturn the language commonly used to define feminist and lesbian art,” primarily through exhibitions, performances, and zines. Attacking the marginalization of queer and feminist art as “alternative” cultures, they insist upon participating in mainstream dialogues about art and culture; in adopting the role of curators and organizing exhibitions, Steiner and Eisenman forcefully insert themselves and their collaborators into the spaces, both literally and figuratively, of the art establishment. Though not all of the artists in Readykeulous are female, nor do all identify as queer, they share an interest in disrupting the status quo.