The live stream of Kanye West’s Coachella “Sunday Service” and the restored Aretha Franklin concert film Amazing Grace offer contrasting portraits of celebrity faith.
Kanye West and Ivanka Trump have created the fashion line “Make America Yeezus,” with Trump designing her own pair of Yeezys.
The future of rap lies in silliness, absurdism, functionalism, and sonic delight.
After music and fashion, Kim Kardashian’s husband is trying his hand at architecture via his new firm, YEEZY Home.
Arthur Jafa’s “Love Is the Message, The Message Is Death” communicates a truth about black life in the US: Many of our public encounters erupt in violence or are premised upon violence.
One can only imagine the patience and tolerance required of New York Magazine writer Amy Larocca to spend time with Vanessa Beecroft and listen to the utter absurdity spewing from the artist’s mouth.
First things first: Kanye West’s release strategy for his new album was a catastrophe.
This morning, School of the Art Institute of Chicago honorary degree holder Kanye West proclaimed on Twitter: “My tweets are a form of contemporary art only compromised by people trying to tell me what to tweet and not to tweet…”
In the blur of fabric and fanfare that was New York Fashion Week, Kanye West’s second Yeezy show caused the most confusion of all.
Kanye West received his honorary doctorate from the School of the Art Institute of Chicago (SAIC) yesterday. The night before, he gave a talk at the school that began as a question-and-answer session but devolved, quite wonderfully, into a rambling, free-associative lecture.
In a recent interview with the French design blog Clique, noted college dropout Kanye West claimed that he is “getting an honorary doctorate on May 5th from the Art Institute of Chicago.”
According to Kanye West, acclaimed photographer Annie Leibovitz is “like, scared of the idea of celebrity.”