Bard College has announced a $3.2M endowment for the fellowship and the relocation of a mural Haring made on Professor Tom Wolf’s wall.
Created as part of a site-specific performance in 1983, the piece is now on view at New York City Center for its 2021-2022 season.
The mural is tucked behind the DJ booth at a former nightclub, which is slated to become a home for seniors.
The exhibition “Keith Haring: Radiant Gambit” presents a more complicated — and certainly more interesting — take on an artist best known for his zippy visuals.
With his recent book, Ricardo Montez complicates notions of collaboration, refusing clean conclusions about Haring’s work and relationships.
Over 140 objects from Haring’s personal collection, including works by Andy Warhol and Jean-Michel Basquiat, will be sold by Sotheby’s to benefit the Lesbian, Gay, Bisexual & Transgender Community Center of New York.
The Keith Haring Foundation has finally realized its perfect demographic: people who like art, people who smoke pot, and people with a desire for designer paraphernalia.
Moved by his friend Benny Soto’s struggles with addiction and riled by government inaction, Haring mobilized his boldly-outlined shapes and energetic figures to send a cautionary message.
The artist’s aim was to “elevate the physiological aspects of HIV to a level of reality that represents the pain, loss, and massive suffering caused by this plague.”
Painted in 1986, the mural was covered up with aluminum siding three years later and has only just been brought back to light.
The artist, who after moving to New York would introduce himself as ‘Keith from Kutztown,’ left an indelible mark on his hometown.
A joint booth by Salon 94 and Antiquarium Ltd. juxtaposes Ancient Egyptian art with contemporary works, foremost among them Haring’s hieroglyphic sculptures and prints.