Nadia Haji Omar’s art asks us: Can we look for the sake of looking? Or must looking always be about gaining and extraction?
By reinventing the traditional bokashi technique, Hamanaka reminds us that nothing is dead, even when many proclaim otherwise.
Ahrong Kim is a masterful ceramic sculptor whose touchstone is a young Asian woman’s head.
No matter how optical a color may become, our experience of it is — to state the obvious — visceral.
Takuji Hamanaka’s works seem to have been made by a mason who lives in a heightened state of consciousness.
Omar brings together possibilities of allusion that the mainstream art establishment has yet to truly recognize.