Nadia Haji Omar’s art asks us: Can we look for the sake of looking? Or must looking always be about gaining and extraction?
Kristen Lorello
Posted inArt
Takuji Hamanaka’s Spellbinding Prints
By reinventing the traditional bokashi technique, Hamanaka reminds us that nothing is dead, even when many proclaim otherwise.
Posted inArt
Living and Working in the Korean Diaspora
Ahrong Kim is a masterful ceramic sculptor whose touchstone is a young Asian woman’s head.
Posted inArt
Halsey Hathaway’s Impure Abstractions
No matter how optical a color may become, our experience of it is — to state the obvious — visceral.
Posted inArt
Shaking Up Op Art
Takuji Hamanaka’s works seem to have been made by a mason who lives in a heightened state of consciousness.
Posted inArt
Nadia Haji Omar’s Multicultural Cartography
Omar brings together possibilities of allusion that the mainstream art establishment has yet to truly recognize.