In The Longing for Less author Kyle Chayka searches for a minimalist mindset that isn’t “obsessing over possessions or the lack thereof but challenging our day-to-day experience of being in the world.”
An aesthetic of minimalism in architecture and interior design has been sold to consumers of high design for decades now in the pages of Dwell and the endlessly scrollable interfaces of websites like designboom and ArchDaily.
Kyle Chayka’s new book, The Longing for Less: Living with Minimalism, probes the corporate world’s love of minimalist design and what it might mean.
Two years ago, Sharon Butler came out with “Abstract Painting: The New Casualists,” an essay addressing the “studied, passive-aggressive incompleteness to much of the most interesting abstract work that painters are making today.”
This week, it’s a mixed bag of artist interviews, design and social media infographics.
This week’s edition focuses on the de Kooning retrospective at MoMA, some final essays on the 9/11 Museum, an endangered mural in Manhattan, the timeline design of Facebook and Instagram as art.
For the past 9 months, I’ve had an amazing time with you all at Hyperallergic. As staff writer, I’ve posted day in and day out, attempting to provide a guide to what’s actually interesting in the art world. It’s been an incredible experience, to say the least. I’ll be leaving Hyperallergic today.
Last Friday, I asked Kate Wadkins to work with some Hyperallergic writers and interns who were asked to pick a mail art submission and respond to it.
Artist Julie Torres hosted two months of collaborative drawing nights at Hyperallergic HQ in February and March of this year. The project generated 100 drawings that are currently on display at Norte Maar in Bushwick, Brooklyn. The resulting show, titled So Happy Together: Forty-five Artists and Their One Hundred Collaborative Drawings, opened last night during the first night of the 2011 Bushwick Open Studios.
In two weeks, #TheSocialGraph will open at Outpost in Bushwick, Brooklyn and we’re incredibly excited. What is #TheSocialGraph? It is an evolving exploration of the burgeoning field of social media art and the relation of contemporary art with this populist tool as a medium, facilitator, and subject for art.
I am the curator of the project and I’ve pulled together a number of interesting artists, writers, social media mavens, and others to share ideas and explore possibilities presented by the intersection of visual art and social media. Some of the art in #TheSocialGraph will be about social media, some will use social media as an integral component of the finished project, and some will be more of an experiment so we’re not exactly sure what to call it.
The city of Boston is not generally known for its hopping art scene. Although it is home to the Massachusetts College of Art and Design (which is the only publicly funded art university in the country), the patrician Museum of Fine Arts Boston, and the picturesque Institute for Contemporary Arts the city cannot pretend to boast an art market that even holds a candle to that of New York, LA or Miami. A recent article by Paper Monument’s founding editor Dushko Petrovich in the Boston Globe proposes that the Boston art scene can bring something entirely different to the table than those acquisition driven hubs.