Poetry has never been more of a hackneyed product — from tiresome MFA hybrid poems to stale derivations of pop/Net conceptualism to the New New New York School, always proclaiming that its linking of art, gay male cosmopolitanism, and poetics is “new.”
The New Museum’s Triennial Surrounds the Audience with Too Much Art
The New Museum’s third triennial, Surround Audience, is not nearly as immersive as its title suggests, and it sabotages many of the most conventional two-dimensional and sculptural works on view.
At the New Museum, Notes Toward Space’s Oddity
“You know, Sun Ra is a formative figure for many young artists,” Georg Schöllhammer, Vienna director of the curatorial collective Tranzit, avowed to me recently on the fifth floor of the New Museum.
Let’s All Argue About Digital Art
You’re digital! I’m digital! We’re all digital! No better way to stir the pot than to bring up the post-IRL condition that has us all confused: What does it mean that we spend so much time online? How are artists engaging technology? Everyone’s arguing, from the curmudgeonly Artforum-approved art historian Claire Bishop to curator Lauren Cornell and author Eleanor Heartney. Here’s what they’re saying.
The Online Transformation of the New Museum
Here at Hyperallergic we remember the days when The New Museum, and their then chief curator Richard Flood, were most commonly associated with an unfortunate statement that equated bloggers with prairie dogs. Those out-of-touch days are no longer and as fate would have it, Mr. Flood even blogs!
Seven Artists Meet Seven Technologists, But Who’s Who?
Seven on Seven is an annual conference hosted by Rhizome and the New Museum that pairs seven artists together with seven technologists to collaborate on projects created in a 24-hour period. The event’s second outing was last Saturday, May 14. The first question that came to my mind while attending the event was — what exactly is a technologist? Through the presentation speeches and Q+A sessions that showed off the series of thought-provoking collaborative artworks, I began to get an inkling of what the word might mean, and what its implications could be. But at a time when new media artists are technological innovators and software developers are artistic creators, where do we draw the line?
How Do You Sell an Animated GIF?
Last month, we learned that Paddy Johnson of Art Fag City curated a show of animated GIFs and now I’ve discovered that Lauren Cornell, the executive director of Rhizome, is selling these often trippy nuggets of Graphics Interchange Format at the 2011 New York Armory Show. Yes, that’s right. She’s a pixel pusher. Click through to see a guerrilla video interview shot on site at the Armory, featuring several of the GIFs for sale.
Free (With Admission) at the New Museum
Lauren Cornell, Executive Director of Rhizome, gives us a taste of what we can expect from her exciting new exhibition, Free, at the New Museum this fall. Incorporating 23 artists, Free will reflect “artistic strategies that have emerged in a radically democratized landscape redefined by the impact of the web.”