A forceful rejection of neutrality, the Guggenheim exhibition unearths the deeply biased natures of media and government systems.
Marcel Duchamp’s “The Bride Stripped Bare by Her Bachelors, Even” provides a provocative foundation for an exhibition of female artists who riff on the liminal spaces between ideas and events.
In honor of the republication of The Sweet Flypaper of Life, Cooper Union will host a panel discussion on their work.
Ironically, Leslie Hewitt’s Monday night lecture on Carl Andre, which examined ways of escaping the hegemony of art and political history, was protested by those who opposed Carl Andre’s place within that history.
Every once in a while a sentence comes along and energizes us with its singular lack of meaning, the tinny sound made by so many letters, marched into so many words, all profaning the artworks they are meant to elevate.