Art
Together in Peace and Protest
Not all of the scenes Dianna Settles paints are pleasant, but that seems to be the point: for better or worse, we are undeniably yoked in our collective experience of being human.
Lexington
Books
When Will Ralph Eugene Meatyard Get the Retrospective He Deserves?
Meatyard’s use of masks, shadows, abandoned houses, and figures in motion open up a deep and multi-layered place of feeling that we have yet to fully address.
Art
Pillowy Gun Sculptures Take Aim at US' Culture of Violence
LEXINGTON, Ken. — Nearly 50 plush guns line the white walls of the small gallery Institute 193. They range in size, pattern, and make: there are fluffy 10 mm. pistols; handguns with hot pink cylinders and gold lamé tips; and rifles with silk-covered barrels that droop, nearly grazing the floor.
News
University of Kentucky Covers Up a Racially Charged Depression-Era Mural Amid Community Debate
LEXINGTON, Ky. — Universities across the country are having productive conversations about race and representation, but what happens when campus public art is caught in the crossfire between a desire to preserve history and cultural sensitivity?
Interview
In Kentucky, Tomorrow Comes Today
LOUISVILLE, Ky. — Since moving here with my family a couple of years ago, The Land of Tomorrow (LOT) has been on my mind. It is a provocative production and exhibition space established by Drura Parish and Dmitry “Dima” Strakovsky, first in Lexington (2009) and then in Louisville (2010), Kentucky.