The museum forgets that it is already a violent graveyard of colonial-era cultural trophies removed from their homelands under dubious circumstances.
The 2,000-year-old statue, believed to depict Persephone, is impeccably preserved.
In 2011, photographer Michael Christopher Brown took a “road trip” through the Libyan Revolution. His new book, Libyan Sugar, chronicles that extraordinary journey.
Over the past few years, Libya has been making archaeology headlines not for the exciting new discoveries there, but for the ruthless cultural destruction.
This week, street art blows in North Africa, discussing the Eames design legacy, the future of the books, Chomsky on #OccupyWallStreet, Ed Winkleman on cartels, de Kooning’s studio in 1982 and Steve Jobs.
In classic Chairman Mao fashion, Libyan dictator Muammar Gaddafi had his face plastered everywhere in the country as pro-government propaganda. In cities overtaken by Libyan rebels, artists are turning those same images against Gaddafi in works of street art.
War photographers help us witness pain, discover injustice and make sense of abstractions that are fed to us by our governments and leaders. They are the front line of image creators and they capture frightening, incredible, tender and unthinkable pictures that shock and enlighten us. Their jobs are very difficult but they are often soo good at it. Today, it was reported that photographer Tim Hetherington was killed in Misurata, Libya.