Curator Peter Ernst Coolen discusses his plans for a street art museum in a former shipbuilding warehouse in north Amsterdam.
Since last summer, artists have been invited to create works for free on the 69th floor of Four World Trade Center, a raw space that was recently leased to Spotify.
For anyone soothed by the careful filling in of white space or enthused by wrecking it all with random slashes of color and unconventional hues, there’s been a recent influx of coloring books created by artists.
I really don’t know what happened to Wynwood Walls, but this year’s event was a major let down after last year’s fun-filled festivities. If last year’s evening bash was an unexpected mix of murals, Sissy Bounce, and bold-faced art names, all organized by Jeffrey Deitch, the current director of LA’s Museum of Contemporary Art, this year’s event is reputedly the work of Deitch’s “ghost” dealer, Kathy Grayson, whose The Hole Gallery has been trying to fill the gap left by Deitch. This was opening night and it felt like a casual block party. Maybe it was the new restaurant that sits on the corner of the property that reigned in the freak antics, but the energy was unfortunately more subdued than I expected.