Manal Abu-Shaheen records a city in the midst of being overtaken by billboards but still, for now, showing its history.
Brandi Twilley, who was eight years old when Pretty Woman was released, creates an atmosphere in which the real world becomes the phantom, while the fantasy strives to become real.
PHILADELPHIA — Nancy Davidson’s sculptures have a bombastic quality, like an overbearing, gaudily dressed aunt who has just arrived late to a family gathering.
Chase, who is black and queer, shows the power of his subjects by exposing just how vulnerable they are.
PHILADELPHIA — Just as you’re rounding the corner, lamenting the fact that you must, in fact, climb another set of stairs, a smiling face greets you.